(Copyright 2020, Simona Zaino )
Full or partial reproduction of this article requires permission from the author. *** Social dancing has become one of the most popular pastimes in the past few years, with so many options to choose from! Salsa and Tango for the lovers of all things Latin, Kizomba for those who prefer a more sensual style, Jive for dancers who like fun and upbeat music, the old-style and evergreen Line Dancing and many others. You don’t need to be a professional dancer to join classes and social events, just the desire to be in good company and have fun. As well as being fun, dance is also a very healthy form of workout. It involves all areas of the body and helps develop strong and slender muscles, boost stamina, improve cardio-vascular endurance and reduce stress. However, most people approach social dance without the adequate physical preparation. Unlike formal dances (e.g. ballet), where classes always include body conditioning sessions, most social dance classes do not allocate enough time for conditioning thus exposing social dancers to potential injuries. Social dancers should consider adding a regular body conditioning workout to their dance classes in order to: 1. Improve posture and alignment The correct spine alignment and posture is essential to ensure the dance moves do not put pressure on the spine, the joints and the muscles that support the skeleton 2.Develop muscular strength Dancing can be a strenuous activity and the relevant muscles need to be prepared with a suitable and gradual strengthening routine 3.Develop flexibility Muscle and joint flexibility is often overlooked by social dancers.. until they experience a pull or tear! Just like strength, flexibility has to be developed gradually 4..Improve mobility and range of movement Most people join social dance classes without adequate mobility thus forcing the body into positions and movements that strain skeleton and muscles 5.Prevent injury and ensure comfort Dance moves should, when performed correctly and with adequate preparation, feel natural and comfortable without pushing your body to the limit and causing injuries So what is the best and most effective body conditioning workout for social dancers? Body conditioning for social dancers should include a combination of stretching, strengthening and postural exercises that involve the entire body and encourage the various areas of the body to work as a whole. Highly recommended complementary activities for social dancers are thus Yoga and Pilates classes, which are widely available everywhere. A regular combined Yoga and Pilates practice will ensure your body can put up with the challenges of your dance routines in a safe manner.. so you can focus on the fun! :) Related articles and tutorials www.eatdancebreathe.com/tutorials.html Online Yoga and Pilates classes (via Zoom) We currently offer regular online Yoga & Pilates classes (via Zoom) Price: €10 per week (take as many classes as you like). View timetable here Argentine Tango School See www.tangofever.net (contactless and online classes offered during lockdown) Author: Simona Zaino Simona is a qualified Health & Wellness, Nutrition & Life Coach based in Dublin. She teaches Yoga and Pilates and runs runs group and private classes (also online). She teaches Body conditioning for professional and social dancers. See: www.eatdancebreathe.com/services.html Copyright 2016, Simona Z. )
Full or partial reproduction of this article and slides requires permission from the author. Simona runs communications workshops for private organizations and has co-facilitated Leadership workshops at the Smurfit Business School. She is available to teach bespoke workshops for organizations and communities. (Copyright 2016, Simona Z.)
Full or partial reproduction of this article requires permission from the author. Every time one of the male dancers disappears from classes and milongas for a while, I can almost be certain that the reason is that the dancer in question has been struck by a sudden drop-of-confidence-level syndrome (=DCLS)... From experience, I know this is quite common among male dancers regardless of whether they are beginners or experienced. It seems to part of their learning journey. Of course, it is more likely to occur among beginner dancers. And while the experienced dancer tends to easily (and quickly) recover from a DCLS, this may be be fatal for somebody who has just started dancing... to the point that you may never see them again on the dance floor! Below is an essential guide to beginner dancers on how to handle DCLS and get to the other side unscathed and with better dance skills.
(Copyright 2016, Simona Z. )
Full or partial reproduction of this article requires permission from the author. My dance students often ask me how long it takes to learn Tango properly to get to the stage where everybody wants to dance with you. Here is my answer to their question. Being a good dancer (having a good technique) is only part of the story in Argentine Tango. Certainly, having good technique and dance skills will ensure you enjoy your dance, relax into it and move confidently and smoothly. But if you want to be an in-demand dancer you also have to be.. a 'nice' person! Does this surprise you? I have noticed recently that some of our beginners dancers (followers and leaders) are particularly popular on the dance floor. Despite their lack of confidence and undeveloped dance skills, they always get a few dances at the milonga. And when they are not around, people notice their absence. Why? I observed these dancers and I noticed they all share a similar attitude: they have a pleasant and open approach to other dancers. Despite their fear to make mistakes, they 'throw' themselves into the dance without any expectations or demands. They have a spontaneity that certain experienced dancers have lost. Whether you are a beginner or an experienced dancer, keep this in mind when walking into your next milonga. Keep an open attitude to others. After all, Argentine Tango is a social dance: people dance to be 'social'. And engaging with pleasant people is part of that social experience. |
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